[1] O’Connor Neil (2019) ‘Material & Medium: An Examination of Sound Recycling in Oval’s 94 diskont – Organised Sound (Cambridge Core).

[2] O’Connor, Neil (2019) ‘Diffusing the Norm – Brian Eno’s Music for Airports’ – Centre for Research in New Music (- University of Huddersfield (Divergence Press).

Other Publications (Conference Papers)

[1] O’Connor, Neil (2019) ‘Glitch & Spectralism’ – International Conference on Spectralism. IRCAM Paris, CNRS, Sorbonne University, Ministry of Culture & Oxford University.

[2] O’Connor, Neil (2019) ‘Conduits of Control – Brian Eno’s Discrete Music’ – ISPAM International Conference, Berkeley School of Music, Boston

[2] O’Connor, Neil (2019) ‘Reconnections – Modular Synthesizers and Electroacoustic Music’ – EMAS Conference, University of Greenwich

[3] O’Connor, Neil (2018) ‘Anti Hero – Serge Gainsbourg’s Le Homme Et Chou’ International Conference on Serge Gainsbourg – Sorbonne University, Paris.

[4] O’Connor, Neil (2018) ‘New Musical Artifacts – The New York School of Composers’ – 17th International Conference of Association of RIDIM, Repertoire of Musical Iconography, Music Library of Greece, Athens

[5] O’Connor, Neil (2017) ‘Notations in Space’ Sounding Out the Space’ – School of Creative Arts, Dublin Institute of Technology, Dublin.

[6] O’Connor, Neil (2017) ‘Virtual Scores – Platforms and Possibilities’ – International Conference of Musicology, Queen Mary University, London

[7] O’Connor, Neil (2017)  ‘Futurism and the Electronic Music Score’ – Music and the Moving Image Conference, New York University

[8] O’Connor, Neil (2017) ‘Electric Dawn – The Advent and History of Irish Electroacoustic Music’, SMI – Society of Musicology Ireland AGM, Queens University, Belfast

[9] O’Connor, Neil (2016)‘Control and Communication’ – International Performance Analysis Conference, University of Porto, Portugal

[10] O’Connor, Neil (2016) ‘New Musical Artifacts – The New York School of Composers’, Music and Visual Cultures International Conference, National University of Ireland, Maynooth

[11] O’Connor, Neil (2016) ‘Erstwhile – Electroacoustic Music and Virtual Scores’, International Festival for Artistic Innovation, University of Leeds

[12] O’Connor, Neil (2015) ‘Scores in Space – Notation, the Performer, Interpretation and Improvisation’, ICAD in Space, Interactive Spatial Sonification, University of Graz, Austria

[13] O’Connor, Neil (2015) ‘Planes of Invention – Plotting Landscapes in Electroacoustic Music’, INTIME Contemporary Music Festival, University of Coventry

[14] O’Connor, Neil (2015) ‘Electric Dawn – The Advent and History of Irish Electroacoustic Music’, Journal of Music Ireland Online Article

[15] O’Connor, Neil (2014) ‘Communication and Control: Aesthetics and Emotion in the use Graphic Notation’, Guest Lecture, New York University, Music Department

[16] O’Connor, Neil (2014)New Music Artifacts, Research Symposium on Performance Studies, Centre for New Music and Audio Technologies, University of California, Berkeley

[17] O’Connor, Neil (2013) Schematic Processing in Notation and Performance’, Society of Musicology, 2nd Post Graduates Students Conference Ireland, University College Dublin, Dublin

[18] O’Connor, Neil (2012) ‘Kinetic Notation: The Changing relationship between Composer and Performer’, Proceedings of ‘New Musical Occurrences’ – Science Week, Trinity College, Dublin

[19] O’Connor, Neil (2012) ‘New Music and the Role of the Young Composer’, A Seminar at the Contemporary Music Centre – The Programming of New Music, Contemporary Music Centre, Dublin

[20] O’Connor, Neil (2011) ‘Methods of Experimental Notation Developed in the Early Works by Earle Brown and Morton Feldman (1950 – 1959)’ Composers Conference, KZM Centre for New Media, Karlsruhe, Germany

[21] O’Connor, Neil (2010) Morton Feldman and his relationship with the Abstract Expressionist Painters in New York 1950-60’ Composers Conference, Bang on a Can Summer Music Festival, Museum of Modern Art, Massachusetts

[22] O’Connor, Neil (2008) Between Thought and Expression – Composer, Performer and Graphic Notation, Journal of Post Graduate Research, Trinity College, Dublin, 9-15

[23] O’Connor, Neil (2009) Communication through Notation’ Journal of Post Graduate Research, Trinity College, Dublin,

[24] O ‘Connor, Neil Notating Electronic Music – Strategies, Composition Workshops, Resonances Festival, IRCAM, Paris.